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Winter in the Dolomites

  • 16 gen
  • Tempo di lettura: 4 min

Private chalets, Cortina, and the quiet glamour of Alpine Italy in the months when the peaks are at their most theatrical.


Cortina, Dolomiti, Italy

There is a sound that the Dolomites make in January, just before dawn, that no other mountain range produces. It is the sound of cold air settling into the bowls between the peaks — a particular silence, more silent than other silences, broken occasionally by the slow creak of a larch branch under snow. To wake in a chalet at altitude in this part of Italy, with a cup of coffee in one hand and the eastern face of Tofana di Mezzo turning pink through the window, is to understand why a certain kind of European traveller has come here, quietly, for more than a century.


The Dolomites Are Not the Alps


The first thing to know about the Dolomites is that they are not, properly speaking, the Alps. Geologically they are coral reefs lifted into the sky; tectonically they are a separate massif; culturally they are a confluence of Italian, Austrian, and Ladin traditions that have been negotiated for so many centuries the result feels native to nowhere else. The result, for the traveller, is a region that feels at once familiar — the snow, the chairlifts, the wine list — and entirely its own. The food is not the food of the Alps. The architecture is not the architecture of Switzerland. The light, especially in winter, is not the light of anywhere else.


The peaks themselves are a UNESCO World Heritage site, and the reason becomes obvious within an hour of arrival. Towers of pale dolomitic limestone rise vertically from forested valleys, lit at sunrise and sunset by the phenomenon the locals call enrosadira — a slow flush of pink and gold that climbs the rock face and then recedes, twice a day, every day, all winter long.


Cortina, and What Lies Beyond It


Cortina d'Ampezzo is the obvious answer and, for some clients, the right one. It is the most cosmopolitan of the Dolomite resorts, the host of the 2026 Winter Olympics, and the seat of an Italian society that has wintered there since the first chairlifts were strung up in the 1930s. Its main street, Corso Italia, is a small but real piece of theatre between four and seven each evening, when fur-clad locals walk between the bars and the boutiques in a pageant that is half ritual and half social register. The dining is excellent: Tivoli, Da Beppe Sello, El Brite de Larieto. The hotels are improving, with the recent restoration of the Cristallo and the new Rosapetra raising the standard considerably.


But the Dolomites are larger than Cortina, and for a certain client we will quietly steer the conversation elsewhere. Alta Badia, an hour to the west, is quieter, more intimate, and arguably has a better dining scene by Michelin star count. Val di Fassa is unselfconscious and family-oriented in the best Italian sense. Selva di Val Gardena offers some of the most spectacular ski terrain in Europe with a fraction of the visibility. We will sometimes propose a chalet in San Cassiano, with day trips into Cortina for evenings out, as the better-balanced solution.


The Private Chalet, Done Properly


The Dolomite chalet of cliché — heavy timber, antlers, plaid — is a real thing, and at its best it is a beautiful thing. The chalets we curate at the highest end, however, tend toward something more restrained. Walls of waxed larch, floors of wide oak, a single sculptural ceramic stove rather than a wall of mounted heads, art that is contemporary rather than alpine-folkloric. Six or seven bedrooms, a wellness floor with sauna and hammam, a private chef who knows when to cook and when to disappear, and, ideally, a ski-room that opens directly onto a piste.

The best of these properties are not on any rental platform. They belong to families — Italian, German, Belgian, occasionally British — who let them, very selectively, when not in residence. Securing one for the right week of the right season is, in many cases, the single most consequential decision in the planning process. We begin work on Christmas, Carnival, and the post-New-Year week of January eighteen months out.


The Off-Slope Hours


Skiing is the public reason to come to the Dolomites in winter, but it is rarely the deepest one. The deeper one, in our experience with returning clients, is what happens between three in the afternoon and ten at night. A long lunch at a rifugio reached only by snowcat, where the chef is the third generation of his family to run the kitchen and the wine list runs to four hundred bottles. A late-afternoon walk through the Larch Forest above San Vigilio when the snow turns blue. A horse-drawn sleigh ride at dusk through the valley below the Sella Group. Dinner at Sankt Hubertus at the Hotel Rosa Alpina, where Norbert Niederkofler's three-Michelin-starred cooking is, somehow, simultaneously the most refined and the most rooted Alpine cuisine in Europe.


These are the hours that make the Dolomites the Dolomites, and they are the hours that we plan with the most care.

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